- Closing concert of the AU-DELA residency. ORGAN AND ELECTRONIC MUSIC / CANDLELIGHT CONCERT
- Julius Baer Bank - Privat Event
- Manuel de Falla - El amor brujo (Der Liebeszauber) Auszüge
- Fotoshooting Basel (Anna Nero & Chris Petrus)
- L'amour est un oiseau rebelle - Carmen (Anna Nero & Sophia Choi)
- Photo shoot @ Opéra du Rhin (Anna Nero & Chris Petrus)
- Anna Nero sings the two national anthems before the play-off final ZSC : Farjestad live
- Photo shoot in Paris (Anna Nero & Chris Petrus)
- Faces Interview with Anna Nero (18.10.2024)
- Petite Messe solennelle Rossini
- Donizetti Requiem Lucerne
- Hip Hop meets opera, Lyrics Magazin
- "Tohuwabohu" Luuk feat Anna Nero
- Orpheum Supporters Concert Tonhalle Zurich
- Interview NZZ Bellevue
- Scholarship holders' concert Wagner Society
- Guerilla Classics at the Kunsthaus Zürich
- #guerillaclassics @ Kunsthaus Zurich
- Anna Nero sings the national anthems of the USA and Switzerland
- With short sharp violent lights made vivid
La Traviata @ Lucerne Theatre
La Traviata @ Lucerne Theatre
Thu, 1. January 1970
Nicole Chevalier (Violetta Valéry)
Diego Silva (Alfredo Germont) (25.04. / 19.05. / 24.05. / 26.05.)
Hyojong Kim (Alfredo Germont) (01.02. / 10.02.)
Jason Cox (Giogio Germont)
Rebecca Krynski Cox (Flora Bervoix)
Anna Nero (Annina)
Robert Maszl (Gastone / Giuseppe)
Marco Bappert (Baron Duphol)
Balduin Ariel Schneeberger (Marchese d'Obigny)
Vuyani Mlinde (Dottore Grenvil)
Robert Hunghoon Lee (Commissionario)
Choir of the LT
Lucerne Symphony Orchestra
Musical direction: Clemens Heil
Always sold out so far. In its third season and only six more times in Lucerne! In Benedikt von Peter's production, Nicole Chevalier as Violetta Valery stands alone on the stage of the LT for two hours and twenty minutes - close to the audience, as if through a magnifying glass, we watch the passionate journey of a loving woman who burns not only her body but also her feelings in front of us and for us, working away at the romantic ideal of love: Can her great desire for love be fulfilled or does she not avoid the reality of lived everyday love through her search for transcendence?
And time and again, a profound loneliness shimmers through the façade of the most famous courtesan in opera history's ‘love professionalism’, the longing to meet someone in the ‘desert of Paris’ who really loves her, who desires her not only as an object of desire in her love performance or as an exaggerated, quasi-religious image, but as a human being.
Production: Benedikt von Peter
Stage: Katrin Wittig
Costumes: Geraldine Arnold
Lighting: David Hedinger-Wohnlich